"The One Close to the Sea shows the immersion of a filmmaker in a Scottish landscape. Not a narrative representation of what happens on the surface of this landscape, but the search for a simple rhythm, that lies underneath this landscape and makes up its essence. This is not a search for any landscape, but for that mode of being, that is essential to 'all' landscape. A search for what transforms mere place, into landscape. The rhythm of the land; light, movement, sound. The action of warm colours gives way to a deeper molecular game, that precedes all surface action. Not the violence of lightning, but the silent force of a charged cloud. Not a hymn of praise for nature, but an icy breath that is the direct expression of this nature. Not the chaos of a forest in bloom, but the simplicity of a bare landscape. The camera seeks to move at this level, at this rhythm, a rhythm that is not only the essence of nature, but also the essence of cinema..." (Thijs Klaps, 2023)

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