Francisco trains to swim across the Paraná River. A feat almost as impressive as completing the documentary he filmed eight years ago. Its protagonists, a group of former political prisoners who paint murals in homage to those who disappeared during Argentina's last civil-military dictatorship, come into conflict, and everything is chaotic for the film. Francisco immerses himself in a creative process, in which reality loses meaning when it intersects with his family's past and present.

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